• 30 Nov

    I Live in Denmark and Don’t speak Danish. Here’s why.

    I recently wrote something for The Copenhagen Post which I knew would cause a bit of a ruffle. But I stand by it. Here it is in full.

    I had an epiphany the other day that reduced my stress levels no end: I am no longer going to feel guilty about not speaking Danish.

    I’m going to let it go.

    Some people say to me I should speak Danish. Like it’s an easy task. Like it’s not a hard language to learn. Well it is. It really is. I mean, there’s a reason it never caught on. And I’m raising two tiny kids. I’m not going to dedicate what precious little down time I have to sitting in a classroom of an evening learning Danish. I’m too tired.

    Some people have said that the fact I don’t speak Danish is disrespectful. I’ll tell you what else is disrespectful. Trying to make me do something I don’t have the time, money or inclination to do, just so you can feel a little less uncomfortable. Me not speaking Danish is not going to undermine Danish culture, tradition and heritage. I’m polite and courteous, I work hard, I obey the law. I pay my taxes. I’m just trying to get through the damn day. Leave me alone.

    And if you’re not comfortable speaking English? That’s fine. I’ll meet you half way. We can still converse. Because I guarantee your English will always be better than my Danish. And speaking Danish to Danes is a grueling, demoralizing ordeal. Why? Because Danes are just not used to hearing their language spoken with a foreign accent, so there’s no cognitive elasticity. That’s why, if you mispronounce a Danish word, even slightly, they often won’t understand you. They won’t meet you half way.

    Some people have told me I’m arrogant. How dare I come over here and not speak the language. I’m not arrogant. I’m just honest and realistic. I do understand why some ex pats feel they should learn Danish. They see themselves as guests in this country. Well I’ve got news for you. You’re not a guest. You come here legally and pay your taxes? You’ve got as much right to be here as any Dane. And if you think being born here gives you the right to tell a foreigner how they should conduct themselves, if they contribute equally to society, then you’re just a big old racist.

    I’m not patriotic. As you can tell. Take my own country. There are things I love about Britain. There are things I hate about Britain – especially right now. But it has great pubs! I loathe nationalism. It’s dangerous, it’s divisive and it’s destructive. I don’t care where you’re from. Just be kind, be generous of spirit, be open to others’ differences. That’s enough surely?

    I love the ex pat community. Because here, we interact with people from all over the world, bringing with us a veritable multiverse of culture, history, customs and experience. Denmark is a monoculture. The ex pats bring the diversity. They bring vibrancy. This is not a ghetto, it’s a wonderful rainbow of inclusivity, splattering colour over all this Danish grey. I’m proud to call myself an ex pat. We don’t all need to be waving a flag all the time.

  • 19 Oct

    Get Brexit Done? Not On Your Life.

    People now pushing Brexit simply because ‘it’s been dragging on too long’. Fuck you. So sorry you’re bored of all this. How tedious that it’s always on the news. Must be a real drag to be part of one of the most significant flash points in modern European history.  Must put you right off your dinner. 

    Of course it’s tedious. Most socio-political and economic things that matter are. This is incredibly dry and complicated, no matter how Whitehall and its tabloid patrons would have it spun. 

    Of course it’s irritating. It’s being managed by a drunken clown convention straight out of a Hogarth print. If you were being forced to watch your kid’s incredibly important birthday party being planned every stage by scores of narcissistic rabid baboons, you’d have every right to be irritated. There’s only so much shit being flung across the room one can stomach.

    But that doesn’t mean anyone should be dismissing this seismic calamity, nor the way it came to fruition, as some trifling inconvenience that simply needs to be over and done with, like it’s the weekly big shop. What a shallow collection of self-absorbed skin bags we really are. 

    Maybe a major reason it’s still dragging on is because it’s incredibly important that we get it right. That maybe there is NO WAY to get it right. That maybe, just maybe, we should have left this sort of thing to those with relevant knowledge, skills, experience and qualifications. Not the current gaggle of self-serving politicians and certainly not ‘The People’.

    I’m not saying ‘The People’ are thick. This isn’t some smug middle-class anti-Brexit tirade. My point is that when it comes to issues like this, people are, at best, completely indifferent. We’re more interested in going down the pub with friends, binging Netflix, having a nice lunch or seeing who wins Strictly. And that’s absolutely fine. Point is, we shouldn’t need to be involved in this. 

    Back in 2016, Cameron probably thought he could quietly slip this through, appease the euro-sceptic back benchers, declare a decisive ‘Remain’ victory and no one would even notice. Talk about not reading the room. People were annoyed for wealth of reasons, most of them nothing of them to do with Europe. I doubt the way Europe and the United Kingdom interact on any level was really even on our radar in any meaningful way. Most of us are just trying to get through the fucking day.

    But we all got whipped up by opportunists and money lenders into having an opinion, into a froth of polarisation that shattered the gossamer-thin facade of class and societal unity. While some no doubt had informed convictions either way, for the most part, those of us happy to keep the status quo because everything seemed to be working fine ticked ‘Remain’, while the disaffected, fearful and the ignored channelled their ire and frustration into the ‘Leave’ checkbox.

    Now we’ve got the Bumbling Prince of Thieves in No 10 and he is no more equipped to or interested in securing the best deal for the British people than a shark is bothered that its throat might be a tad rough when it swallows your leg.

    Can’t we just ‘get it over with?’ Can’t we get back to how things were? what is that exactly? A continually grim struggle amidst the shackles of austerity? Some mythic version of Britain so bucolic and fantastical you’d think Downton Abbey was up the road and the local pub was run by a fucking hobbit? Perhaps somewhere in between.

    Fact is, we are a mongrel nation. A stew of cultures, cross pollination, traditions, races, classes and creeds. Even in the Brexit heartlands, that you only have to travel mere minutes to stumble upon a different regional dialect shows just how many different tribes are so densely packed in to such a small collection of islands. This tribalism goes back centuries. You don’t really want to pull at that threat. Inviting us to make such an ill-informed binary choice and pick a side was always going to be a catastrophe. 

    No, we should not ‘just get on with it’. Not if it’s a bad idea – which all research and evidence would suggest it is. however you voted in 2016, no one voted for this. No one. Because ‘this’ wasn’t on the ballot box. 

    Now, I don’t know what’s going to happen. But I’m not going to forget my principles, standards nor considered and reasoned research that led me to make what I hoped was an impartial and informed choice. But hey, I’m no expert. We’ve had enough of those so probably just as well. 

  • 01 Jul

    No Sex Please, We’re Creating: Gender and Equality in the Writers’ Room

    There was a bit of a hoo-ha recently when it was reported that ITV’s Head Of Comedy, Saskia Schuster has banned all-male comedy writing teams.

    Monty Python (L-R: Eric Idle, Terry Jones, Graham Chapman, Michael Palin, John Cleese)

    Monty Python (less Terry G) 1969: arguably the most famous comedy writing team ever. The Oxbridge graduates used to meet regularly upstairs at Soho’s famous Nellie Dean pub in Soho. Women need not apply.

    This lead to all sorts of misguided and unhelpful online outrage about men being marginalised so women could be fast-tracked into the British comedy industry, regardless of merit.

    Now, as anyone with even a Trump-sized brain knows, this is not discriminating against men. It’s a laudable attempt to redress the balance in what has historically been a male-dominated space.

    The Simpsons writers room

    The Simpsons writers’ room, early 90s. Note: the only female present is cardboard. And a baby.

    Writer and performer Brona C Titley offered this excellent response in The Guardian, which compelled me share my own experience of working in a comedy writers’ room.

    My sole experience is an odd one, and not much fun.

    I worked on a (thankfully) failed attempt to replicate a US late-night talk show for UK audiences. I spent several weeks trapped in a braying sausage fest, all white men, leftovers from Loaded magazine.

    My overriding memory is just how exhausting it was. All the banter about ‘fit birds’ and ‘’aving it large’ (whatever the fuck that means) turning to tedious white noise.

    Funny thing is, I was completely marginalised and ignored throughout the process even among ‘my own kind’, because I was the only one in the room who knew nothing about football and wasn’t a lad, thereby somehow invalidating my input.

    This wasn’t an awful experience because they were all white men, but because they were monstrous arseholes who happened to be white men. But the fact there was no diversity didn’t help.

    You gather together one type of ANYBODY in a room and the experience will nosedive pretty fast.

    I’ve had incredibly satisfying creative collaborations exclusively with white men, exclusively with white women, and with a diverse mix of talented people.

    Crucially, I’ve also had awful experiences working with all of the above.

    30 Rock starring Tina Fey and Alec Baldwin

    Tina Fey‘s brilliant 30 Rock, based on her own experiences as Head Writer in SNL.

    Equality and diversity should be encouraged in every endeavour; Titley’s article is bang on. It’s tragic we still even have to say this. But what irks me is that such dialogue in the public space often rapidly descends into identity politics. Which is a cop out.

    Monty Python, a lot of whose output has dated horribly, will always be a profound influence. As is Peter Cook and Peter Sellers. As is Jerry Seinfeld and Robin Williams. But I don’t admire them because they are all white men. But because their comedic brains resonate with me. Still do.

    The greatest thing about the greatest comedy is that it transcends class, race and gender.

    Alternatively, Fleabag, the best comedy I’ve seen in a long time, isn’t superb because Phoebe Waller-Bridge is a woman, it’s because she’s a phenomenal writer, actor and director. But thank God we live in times where she was given the opportunities to gift the world her brilliantly warped mind.

    Because, as Titley correctly asserts, everyone who works in the creative industry does so because they were given an opportunity.

    Fleabag on BBC Comedy

    Fleabag. Created and written by a hugely talented human. Who happens to be a woman.

    There is no doubt that diversity tends to birth infinitely more interesting work – IF the chemistry is there. And I think that’s crucial for me. That’s how you create your best work and ultimately, it’s the work that counts.

    Bottom line, I don’t really give a shit who is in the room with me as long as they bring something to the table.

  • 24 Jun

    The Fox in the Henhouse: Boris Johnson Will Be Our Prime Minister

    I continue to watch from across the old sea as my country collapses in on itself. Weird times. Strange days.

    Three years ago, when we had the chance to stop Brexit, we failed. Even those who canvassed so aggressively to leave looked as surprised as us ‘remoaners’ when the results came in. Gove, Johnson and Farage stumbled out, blinking into the morning light in utter bewilderment.

    They tapped into the anti-establishment malcontent, patriotic impotence and paranoid xenophobia that had been brewing among the British population following 2008’s banking crisis and years of subsequent austerity, and their barrage of bluster and bullshit actually convinced some people this might dig us out of whatever hole they perceived us all to be in. Well, look at us all now.

    LOOK. AT. US.

    We thought it was bad then. It’s a fantasist’s utopia compared to the toxic clown convention currently seeping amidst Whitehall today.

    Three years on since we cracked open the Hellmouth, unleashing all these foul demons, and Britain still festers as the punchline of a truly abysmal joke. But here’s the topper. A ridiculous, scheming oaf is set to rule Albion.

    We’re about to witness the keys to the Kingdom being handed over to a self-serving shaved ape who lacks the charm or grace to see that he lacks both charm and grace.

    A coiffured suet pudding whose existence is so rarified and exclusive, he equates human suffering with not having that fifth helping of Sasquatch steak and mermaid caviar.

    A conniving boar-bear chimera who mistakes stubborn tenacity for guiding principles, bare-faced mendacity for political acumen and cheap charisma for intellectual savvy.

    A fair-weather politician who switches his views and policies at the drop of his topper to manipulate whomever he is trying to either bully into submission or woo under the jizz-splattered sheets of his extra-marital bedchamber.

    To call him a swivel-eyed loon would be an insult to swivel-eyed loons; he is a dog chasing cars.

    He just wants to clutch his Golden Snitch, all consequences be damned. A glorified journalist with a nose for popular rhetoric and received opinion, which makes him more dangerous than the facade of public buffoonery might suggest.

    At some point in his bafflingly-fascinating life he decided to imitate his political idol Sir Winston ‘it’s complicated’ Churchill.

    He thought he could position himself as the determined British Bulldog, chugging down Blitz spirit as he bulldozes his way through to the hearts and minds of the people and into the hallway of Number Ten.

    After the Bus Debacle and the very public professional evisceration, we all thought he failed. Then This happened. He’s only gone and done it. He’s only gone and bloody done it.

    Despite all those lies, gaffs, tricks and blunders, it’s actually happening.

    The worst part? When this overgrown homunculus lumbers into the top job – which he inevitably will – he’ll feel utterly vindicated in his self conviction. That he was right all along. That he was destined to be Prime Minister.

    Fuck all you naysayers and fuck all your slandering, he proved them all wrong. He’s reached the top of the tree and you know he will only go down swinging. And all we can do is watch this unholy shitshow unfold in hideous realtime.

    There is nothing we can do except witness this monstrous arsehole take the reins and charge the stallions over the precipice.

    This is why I drink a lot of gin.

  • 25 May

    Excelsior! I’ve Signed a Deal to Write a Book About Stan Lee

    Hello world.

    I am thrilled to announce that I have been commissioned by Pen and Sword Books to write a shiny new book about Stan Lee.

    In case you didn’t know, Stan is one of the most important creative forces of the twentieth century. He helped shape pop culture as we know it. The cavalcade of flawed, multidimensional characters he co-created for Marvel Comics (including Spider-Man, X-Men, The Fantastic Four, Iron Man, Hulk and Black Panther) still resonate with millions across the globe.

    His work helped spawn the most successful film franchise of all time; the Marvel Cinematic Universe has collectively grossed nearly $20 billion – and counting. Not too shabby.

    On a personal note, Stan’s iconic work has been a constant in my life. From being an excitable kid prancing around the house in a Spider-Man costume and the hundreds of Marvel comics still gathering dust in my mum’s attic, to bunking off work to catch a 9am screening of the first Avengers film (sorrynotsorry Comedy Central) and now sharing these film with my son, his vibrant imagination continues to excite me no end.

    This is a dream come true for a grumpy ageing fanboy such as myself and I can’t wait to get stuck into the next chapter of my career.

    I’d like to offer my heartfelt thanks to Hannah George, Marc Burrows, Dave Jackson, Matt McAllister and Kate Bohdanowicz for their help in making this happen. Now all I’ve got to do is write the damn thing. Because as the Man says, with a small amount of power, comes a small amount of responsibility. Or something.

    More updates on this, including release dates, to follow. Watch this space.